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Smith wanted to be happy playing his music and also, satisfied with the messages. He never needed a consistent sound to move you. These faster rhythms were not as often explored as I'd have liked, I admit, so when they came along, I lapped them up. Whether it be about substance abuse, death or the way the world worked, these mid-tempo to faster-paced tunes still swam neatly in his slow, melodic nature. 'Condor Ave.' also touched on this point as it kept a faster tempo which no doubt lent influence to the likes of later works such as 'Angeles' and 'Miss Misery'. That set the ball rolling for his music - stuff that were nothing more than confessionals. The songs felt like art and not like an assembled product. The lyrics were human, making Smith flawed and real. The strings felt raw, lo-fi and a masterpiece. It truly kept an inviting atmosphere and allowed you to live vicariously in his world.

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It was dissonant, full of hurt and like much of the album, jammed with screeching, squeaky guitars which came off jarring, scratchy and grainy but added a lot of substance to the home-made demo sound. The pain was most felt on the self-titled 'Roman Candle' which became a much-needed outlet from the tension of Heatmiser. Nowadays, that feeling's rare but artists like Marcus Mumford, Grey Gordon, Geoff Rickly, Frank Turner, Johnny Rzeznik, Jay Malinowski, Koji and Evan Weiss all remind me of his body of work. It was exceptional to hear his searing honesty and his decisive collection of heartbreaking stories. His music packed in a silent restlessness while keeping chords of discontent, tension and introspection at heart. It was introverted but still, it was pure magic.

Elliott smith roman candle zip how to#

This album laid down a lot of emo tones for musicians, songwriters and contemporary wordsmiths of present and in doing so, formed the foundation of how to be soft-spoken and genuine without coming off as too verbose. As his first real attempt outside of Heatmiser, these nine tracks proved to be a carousel for his naked thoughts, his poems and more-than-subtle hints that the pressure of success could be, and ultimately, would be more trying than we could ever fathom. There was a fine line, a delicate balance, to the world of light and its contrasting darkness which he really thrived on and Roman Candle was THE stripped down, bare essence of Smith's emotional roller-coaster.

Elliott Smith's music was as comforting as it was depressing.